Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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william wordsworth
private music making the lost chord by stephen lewin

ID: 60250

william wordsworth private music  making the lost chord by stephen lewin
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william wordsworth private music  making the lost chord by stephen lewin


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william wordsworth

Born: 7 April 1770 Birthplace: Cockermouth, England Died: 23 April 1850 Best Known As: The author of the poem "Tintern Abbey"   Related Paintings of william wordsworth :. | Cocks 123 | Arab or Arabic people and life. Orientalism oil paintings 361 | Fresco out of Pompei | Konstnarens with wife Katherine and Philipp | The Death of Saint Petronilla |
Related Artists:
Josef Schmitz
Johann Josef Schmitz (1784-)Aliases: Johan Joseph SchmitzProfessions: Landscape painter.
Johann Gottfried Steffan
1815-1905 Swiss painter. He moved to Munich in 1833 after an apprenticeship as a lithographer in Wedenswil. He studied at the Akademie der Bildenden Kenste and the Polytechnikum in Munich. He was impressed by Carl Rottmann's Italian landscapes and decided to devote himself to landscape painting. He travelled to Italy in 1845 and to Paris in 1855; he subsequently began to concentrate on painting lake and mountain scenes, for example Lake Starnberg in a Storm (1873; Zurich, Ksthaus), at which he was highly successful. He undertook numerous study-visits to Bavaria and Switzerland, often accompanied by his pupils Traugott Schiess (1834-69) and Otto Frölicher. In Munich Steffan became friendly with Rudolf Koller, Johann Caspar Bosshardt (1823-87) and Arnold Becklin, and under his leadership the 'Schweizer', as these artist-friends were known collectively, formed their own group.
joan miro
Joan Mir?? i Ferr?? (April 20, 1893 ?C December 25, 1983; Catalan pronunciation: was a Catalan Spanish painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miro expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting.






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